Sound Devices 888 - Portabler 16-Kanal-Audiomischer/-rekorder mit TC

Preis: € 8.180,00

zzgl. 19% MwSt und Versandkosten

Lieferzeit: ca. 1 Woche

Artikel-Nr: SD-0075


Mobiler Produktion-Mischer-Rekorder

Mischer | Rekorder mit 8 Mic/Line-Vorverstärkern, 16 Kanäle, 20 Aufnahmespuren, 16 Dantekanäle, AES-Eingang und -Ausgang, 10 analoge Ausgänge. Jeder der 8 Eingänge enthält einen eingebauten analogen Limiter, Hochpassfilter, Delay, 3-Band-EQ und 48V-Phantomspeisung. Zeichnet simultan auf eine interne 256 GB SSD und zwei herausnehmbare SD-Karten auf, Beinhaltet einen Timecodegenerator, Dugan-Automixing und Mix-Assist. Stromversorgung durch 2 x L-Mount-Akkus (nicht im Lieferumfang enthalten) oder von Extern über TA4-Anschluss. XL-WPTA4 Netzteil im Lieferumfang. Eingelegte L-Mount-Akkus werden geladen.

Meet the 888 – the portable mixer-recorder that’s compact and light enough to use in a bag, yet has the high channel count and power required for mobile cart productions. The 888 is the smallest portable mixer-recorder on the market that offers Dante for sending and receiving audio over Ethernet. With 8 ultra low-noise, 8-Series microphone preamplifiers, 16 channels, 20 tracks, multiple powering methods, and support for multiple USB control surfaces, the 888 can be easily tailored to your workflow. An updated processing architecture and multiple FPGAs enables the 888 to be fully routable: any physical input may be sent to any track, bus, or output.

Many features have carried over from the premium Sound Devices’ Scorpio, such as the new 8-Series preamplifier design, 2 SD card slots, internal 256GB SSD, and dual L-Mount battery charging and powering. Alternatively, power your 888 using a smart battery, NP-1 battery, or an in-line power supply via its TA4 DC input. The ultra-accurate, fully-featured timecode generator contains its own battery to hold timecode for up to four hours after power off.

Dedicated coms and slate allows for professional bi-directional communication with other crew members. Send customized mixes to the camera or crew with multiple mix buses. With the ability to record to three media simultaneously, you can turn over an SD card to production, AAC files for transcription, and keep a backup on the internal 256 GB SSD.

A built-in three band EQ may be set to either pre- or post-fade for each channel to tackle any problems directly on-set. Enable Dugan Automixing or MixAssist to automatically attenuate unused microphones in multi-microphone applications. Up to 16 channels can be automixed at a time.

Get the perfect fit on your cart with one of several supported USB control surfaces for remote fader and transport control. Download the companion Android app, SD-Remote, to access to transport controls, metering, and sound reports on a large touch screen.

Elevate your kit with the 888 Portable Production Mixer-Recorder.


888 Spezifikationen
Analog Inputs
Frequency Response 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz) THD + Noise 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in) Equivalent Input Noise -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)
Processing Engine
Highly extensible, full FPGA-based audio processing, 3 FPGAs Six-way ARM multiprocessor system 64-bit audio processing precision
Audio Over Ethernet
Dante, AES67 compatible 16 channels in, 16 channels out (up to 192 kHz) 1 Gb/s Ethernet, 1 port, transformer-balanced
Mic/Line inputs | 8 total, all fully featured; 4 on full-size XLR, 4 on TA3 Mic-level inputs: (XLR, TA3): Class-A, discrete differential long-tail pair, 4k ohm input impedance Line-level inputs: (XLR, TA3): active-balanced, 4k ohm input impedance 48V phantom: full 10mA to all 8 inputs simultaneously AES3 or AES42 available on XLR input 1 AES42: +10 V, 250 mA available, mode-1, auto-ASRC Rtn A (TA3): unbalanced 2-channel, 4k ohm input impedance Rtn B (3.5 mm): unbalanced 2-channel, 4k ohm input impedance Com Rtn (TA3) balanced, 1-channel, 8k ohm input impedance External Slate Mic (TA5): balanced, 8k ohm input impedance Maximum Input Level Mic: +8 dBu (2.0 Vrms) Maximum Input Level Line: +28 dBu (19.5 Vrms) Maximum Input Level Rtn A, B: +18 dBu (6.2 Vrms) Maximum Input Level Com Rtn 1: +24 dBu (12.3 Vrms) Maximum Input Level External Slate Mic: +12 dBu (3.2 Vrms) High-Pass Filters Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.
Limiters available at all channels, buses and headphones for all sample rates Analog first stage, all subsequent stages digital Attack time: 1 ms Release time: adjustable, 50 ms to 1000 ms Threshold: adjustable, -2 dBFS to -12 dBFS Selectable ratio: inf:1, 20:1, 18:1, 16:1, 14:1, 12:1, 10:1
Channel Adjustable 0-50 ms Output Adjustable 0-500 ms
Maximum Gain
Trim stage (mic input): 76 dB Trim stage (line input): 50 dB Fader stage: 16 dB Bus stage: 16 dB Headphone stage: 20 dB Mic-to-Line: 108 dB Mic-to-Headphone: 112 dB
XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line) TA3 (X1-X4) active-balanced, 250/3.2k/120 ohms (mic/-10/line) 3.5mm (X5, X6, X7, X8): unbalanced, stereo, 1.8k ohms
Headphone Outputs
¼”, 3.5 mm TA5 (along with mic input pins) for single connection to headset + mic High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven Compatible with headphones of any impedance Maximum Output Level (all into 10k load) Line: +20 dBu (7.8 Vrms) Maximum Output Level (all into 10k load) “-10”: +6 dBu (1.5 Vrms) Maximum Output Level (all into 10k load) Mic: -20 dBu (0.078 Vrms) Maximum Output Level (all into 10k load) X5/X6 Out: +6 dBu (1.5 Vrms) Maximum Output Level (all into 10k load) Headphone outputs (¼”, TA-5, X7/X8): +14 dBu (4.0 Vrms)
Digital Outputs
AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 110 ohm, 2 V p-p, AES and S/PDIF compatible
A/D Converters 32-bit, 120 dB, A-weighted dynamic range typical A/D Converters Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 88.2 kHz, 96 kHz, 192 kHz Bit Depth 16, 24 Internal 256 GB SSD; two removable SD Cards. Each 10% over-provisioned (reserved free space) for optimum performance Simultaneous recording to internal SSD and the two SD cards exFAT formatting 20 tracks (16 iso channels, 4 buses) Broadcast WAV monophonic and polyphonic file format 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 GB AAC 2 track at 48 kHz, selectable bit rate 32, 64, 128, 192, 256 kbps
Automatic Mixing
Dugan Automixer up to 16 channels on Left and Right Mix bus MixAssist up to 16 channels on Left and Right Mix bus
USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards USB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices
Timecode and Sync
Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes. Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours) Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu) Timecode Output: 75 ohm impedance, 5 V p-p (+12 dBu)
Remote Control
CL-12 Linear Fader Controller USB MIDI MCU Control – supported 3rd party fader controllers SD-Remote Android app USB Keyboard External Timecode Record Trigger
320×240, Transflective, excellent sunlight visibility Larger touchscreen display available via USB-connected SD-Remote app
External: 10-18 V input on locking TA4 connectors, pin-4 = (+), pin-1 = (-), supports Smart Battery telemetry Dual rear-mount Sony-style L-mount batteries with chargers Current Draw, at 12 V no battery charging: All mic preamps off: 0.90 A, All mic preamps on: 1.12 A, All mic preamps on, 192 kHz sample rate, recording to 2 SD Cards: 1.29 A, All mic preamps on, 192 kHz sample rate, recording to 2 SD Cards, Dante enabled: 1.56 A Intelligent power-down of unused mic preamps and other internal circuits
Operating: -20° C to 60° C, 0 to 90% relative humidity (non-condensing) Storage: -40° C to 85° C
Dimensions (H x W x D)
5.1 cm x 24.5 cm x 18.5 cm
1.83 kg (unpackaged, without batteries)

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